Mr. Devlin, and Ladies and Gentlemen:
Once upon a time not too long ago, it was a struggle to attract people to Wheeling Symphony concerts. It was considered too “stuffy,” formal, and old-fashioned, and many wondered if anyone still wished for a close relationship with classical music.
Unfortunately, in Wheeling, where a mass exodus of population had taken place, it appeared as if the time had passed; that an era filled with trombones, bassoons, violinists, blacks ties, and formal dresses had run its course in a valley no longer prospering from big industry. Instead, only a few hundred patrons, mostly the retired, the wealthy, and the forced-to-go school students would snuggle up to the front.
But then, all of a sudden, the unthinkable transpired.
Barriers were bashed and musical genres began harmonizing, and soon local music fans were introduced to something called “Jeans & Classics” as part of the organization’s Pop Series. The first “modern” show – more than a decade ago – featured a tribute to The Beatles, and just like that, a new generation of WSO fans was born.
That’s why, thanks to the orchestra’s ever-evolving membership, former music director Andre Raphel, and now you, sir, and your dynamic energy and euphonic brilliance, the orchestral magnificence of the shows performed by the Wheeling Symphony Orchestra at the Capitol Theatre has gained a new appreciation, and last night’s performance by Renee Elise Goldsberry was a perfect example of the miracle that’s back in place.
Bravo, Maestro, to you, and to all contributing cohorts.
Sincerely,
An Appreciative Community
